The Amory Wars:
Good Apollo, I’m Burning Star IV
Norwegian Cruise Line / Area Stage (Norwegian Jewel)
I most recently set sail with Norwegian Cruise Line and performed in the world premiere of The Amory Wars: Good Apollo, I’m Burning Star IV for the S.S. Neverender’s rock music festival. Headlining the festival was the prog-rock band Coheed and Cambria, whose lead singer and guitarist Claudio Sanchez wrote The Amory Wars comic book series. The musical we performed’s story and score consisted of the comic book volume and album of the same names.
Visit Area Stage’s website for more information!
Year
2025
Directed by
Giancarlo Rodaz
A Midsummer Night’s Dream
Opera Theatre of St. Louis (St. Louis, MO)
This venture into the foreign medium of opera was both incredibly challenging and incredibly rewarding. I had the great pleasure of stepping into such an iconic and lively role, while also greatly expanding upon my musicality. Benjamin Britten’s opera is through-composed, and all of Puck’s spoken lines are locked into complex rhythms. This was the fist time I’d ever seen a bar marked with the time signatures “5/4 2/4”… in the same bar… That was a riddle at first.
Visit the Opera Theatre of St. Louis’ website for more information!
Directed by Conducted by
Tim Albery Leonard Slatkin
Year
2025
The Little Mermaid
Area Stage (Miami, FL)
This production of The Little Mermaid was the first performance of a newly re-written Broadway script, and took place in an immersive setting. I had the pleasure of stepping in as the replacement Ariel after a month of playing Arista and understudying Ariel.
Visit Area Stage’s website for more information!
Directed by
Giancarlo Rodaz
Year
2024
The Last Days of Judas Iscariot
The Sargent Conservatory
Stephen Adly Guirgis’ thought-provoking play following the trial of Judas Iscariot for his betrayal of Jesus was a hugely welcomed challenge. I played both Saint Peter (an easygoing frat boy) and Mary Magdalene (a Gloria Steinem emulator), which offered me a fascinating opportunity to study physical and vocal characterizations. With such beautifully crafted source material to work from, the show was eye-opening in countless ways.
Year
2024
Directed by
Adam Flores
Romeo and Juliet
The Sargent Conservatory
Working on this classic gave me the opportunity to put the year of Shakespeare training we receive at the Sargent Conservatory to practice, and be immersed in the world of verse. I played Lady Montague and the Apothecary in addition to being the dance captain, a role I loved exploring for the first time.
Year
2023
Directed by
Jef Awada
American Idiot
The Sargent Conservatory
This high-energy musical was a BANG! to be starting my collegiate production experience with. American Idiot greatly strengthened my physical and vocal stamina with its demanding ensemble involvement, challenged me to go far with emotional and physical dynamics, and introduced me to the process of understudying for Extraordinary Girl.
Year
2022
Directed by
Lara Teeter
Staged Readings
The Sargent Conservatory
A part of the directing majors’ curriculum at the Sargent Conservatory is to put together and direct staged readings in three hours before having a public performance. I have had the opportunity to appear in five:
Oedipus the King, directed by Nola Buehler, 2025
Dog Sees God, directed by Jackson Rodriguez Castello, 2025
The Drowning Girls, directed by Zachary Stefaniak, 2024
The Revolutionists, directed by Amalia Perez Lam, 2024
Baby with the Bathwater, directed by Avery Harrison, 2023
